{"id":29898,"date":"2018-01-01T17:16:59","date_gmt":"2018-01-01T16:16:59","guid":{"rendered":"http:\/\/www.invarena.cz\/?p=29898"},"modified":"2018-01-01T17:16:59","modified_gmt":"2018-01-01T16:16:59","slug":"lespresso-proc-se-vek-stal-posedlosti-nasi-doby","status":"publish","type":"post","link":"https:\/\/www.invarena.cz\/?p=29898","title":{"rendered":"L\u00b4Espresso: Pro\u010d se v\u011bk stal posedlost\u00ed na\u0161\u00ed doby"},"content":{"rendered":"

Pod podobiznou je kartu\u0161 s n\u00e1pisem V pr\u016fb\u011bhu \u010dasu. Obraz se nal\u00e9z\u00e1 v Galerii Akademie v Ben\u00e1tk\u00e1ch a jeho autorem je p\u0159edstavitel vrcholn\u00e9 renesance Giorgione. Jmenuje se Sta\u0159ena a postava na obraze m\u00ed\u0159\u00ed ukazov\u00e1\u010dkem prav\u00e9 ruky proti sob\u011b. Pak je tu v jin\u00e9m odd\u011blen\u00ed galerie dal\u0161\u00ed Giorgioneho obraz nazvan\u00fd Bou\u0159e a na n\u011bm mlad\u0161\u00ed nah\u00e1 \u017eena, kter\u00e1 pr\u00e1v\u011b koj\u00ed. P\u0159edpokl\u00e1d\u00e1 se, \u017ee jde o tut\u00e9\u017e \u017eenu zobrazenou v r\u016fzn\u00e9m v\u011bku.<\/strong><\/p>\n

Nejprve tedy mlad\u00e1 \u017eena a matka, pak sta\u0159ena, a tedy nula. Ob\u011b ukazuj\u00ed, by\u0165 ka\u017ed\u00e1 jinak, sv\u00e9 poprs\u00ed, kter\u00e9 u \u017e\u00e1dn\u00e9 z nich nem\u00e1 erotick\u00fd v\u00fdznam. Prvn\u00ed je n\u011b\u017en\u00e9 a \u017eivotad\u00e1rn\u00e9, druh\u00e9 je zest\u00e1rl\u00e9, a tedy ji\u017e nevhodn\u00e9 k tomu, aby d\u00e1valo \u017eivot, ani nen\u00ed p\u011bkn\u00e9 na pohled. V dob\u011b v\u011b\u010dn\u00e9ho ml\u00e1d\u00ed si neust\u00e1le st\u011b\u017eujeme, jak ten \u010das ut\u00edk\u00e1. Chceme p\u0159ekonat strach, \u017ee u\u017e nebudeme \u017e\u00e1douc\u00ed, \u017ee u\u017e n\u00e1s nebude nikdo pot\u0159ebovat, p\u00ed\u0161e italsk\u00fd t\u00fdden\u00edk L\u00b4Espresso.<\/p>\n

Jsou takov\u00e9, jak\u00e9 jsou, jedna r\u016f\u017eov\u00e1 a krevnat\u00e1 ve sv\u00e9 mladosti, druh\u00e1 s povadlou k\u016f\u017e\u00ed, s k\u016f\u017e\u00ed, kter\u00e1 u\u017e u nikoho nevyvol\u00e1v\u00e1 \u017e\u00e1dn\u00e9 p\u0159edstavy, s prstem nam\u00ed\u0159en\u00fdm proti hrudi, kter\u00fd jakoby div\u00e1ka varoval: „Pod\u00edvej se, co se ze m\u011b stalo, a co se s upl\u00fdvaj\u00edc\u00edm \u010dasem stane i s tebou!“<\/p>\n

O v\u011bku sly\u0161\u00edme mluvit neust\u00e1le: \u017eena jist\u00e9ho v\u011bku, m\u00e1m u\u017e sv\u016fj v\u011bk, v m\u00e9m v\u011bku, v tomto v\u011bku, nevypad\u00e1 na sv\u016fj v\u011bk, s v\u011bkem. Je to posedlost. V\u011bkem se rozum\u00ed line\u00e1rn\u00ed \u010das, kter\u00fd vede ke st\u00e1\u0159\u00ed, kter\u00fd v sob\u011b p\u011bstuje samo s\u00e9m\u011b staroby. Brzy za\u010d\u00edn\u00e1me \u0159\u00edkat sv\u011btu i sob\u011b sam\u00fdm, \u017ee u\u017e nejsme takov\u00ed, jac\u00ed jsme b\u00fdvali, \u017ee u\u017e nem\u00e1me tu rychlost, tu sv\u011b\u017eest, tu p\u0159ipravenost, tu s\u00edlu, ty mo\u017enosti a dokonce ani tu b\u00fdvalou po\u0161etilost. Pro\u010d tolik uva\u017eujeme o v\u011bku? Proto\u017ee n\u00e1m p\u0159in\u00e1\u0161\u00ed jen smutek? Proto\u017ee vede rychle ke konci \u017eivota, ke smrti?<\/p>\n

Zat\u00edmco mluv\u00edme, \u017eivot n\u00e1m ji\u017e utekl. Dum loquimur fugerit invida aetas (zat\u00edmco mluv\u00edme, plyne ne\u00faprosn\u00fd \u010das) je Horati\u016fv ver\u0161, jen\u017e p\u0159edch\u00e1z\u00ed zn\u00e1m\u00e9 Carpe diem, tedy U\u017e\u00edvej dne. V tomto okam\u017eiku ub\u00edh\u00e1 tento ne\u00faprosn\u00fd \u010das, ten \u010das, kter\u00fd jakoby hladov\u011b po\u017e\u00edral hodiny, jako bychom to ani nebyli my, kdo jej ztr\u00e1c\u00ed, mezi obchodn\u00edmi domy a sh\u00e1n\u011bn\u00edm v\u011bc\u00ed. N\u00e1klady \u010dasu jsou ale ty ze v\u0161ech nejdra\u017e\u0161\u00ed.<\/p>\n

V\u011bkem se rozum\u00ed \u010das volby, \u010das byt\u00ed a p\u0159\u00edle\u017eitost\u00ed. Pot\u0159ebujeme si ukotvit \u010das s pomoc\u00ed takzvan\u00fdch \u017eivotn\u00edch etap, ale st\u00e1le je to ten \u010das, kter\u00fd vede ke st\u00e1rnut\u00ed. Pro\u010d se v dob\u011b v\u011b\u010dn\u00e9ho ml\u00e1d\u00ed hovo\u0159\u00ed o star\u00fdch, lopot\u00edc\u00edch se, unaven\u00fdch lidech, kte\u0159\u00ed jsou na konci?<\/p>\n

Kdy\u017e o sob\u011b mluv\u00edme, nikdy sv\u016fj v\u011bk nechv\u00e1l\u00edme. Jen ho ozna\u010dujeme, jako alibi. Kultura mlad\u00e9ho v\u011bku n\u00e1s sv\u00e1d\u00ed, ale z\u00e1rove\u0148 zastra\u0161uje a \u010din\u00ed n\u00e1s k\u0159ehk\u00fdmi. Je to d\u00e9mon st\u00e1rnut\u00ed, kter\u00fd n\u00e1s d\u011bs\u00ed, sama my\u0161lenka staroby, se svou t\u00ed\u017e\u00ed nejistoty a slabosti? Nebo je to \u00fazkost, \u017ee n\u00e1s u\u017e nebude vid\u011bt, \u017ee u\u017e nebudeme milov\u00e1ni a \u017ee n\u00e1s nikdo u\u017e nebude pot\u0159ebovat, a\u010dkoli budeme st\u00e1le je\u0161t\u011b na\u017eivu?<\/p>\n

Smutek vypl\u00fdv\u00e1 z toho, \u017ee n\u00e1s nejen nikdo nebude pot\u0159ebovat, ale \u017ee ani my u\u017e nebudeme po ni\u010dem tou\u017eit. A proto je Sta\u0159ena smutn\u00e1 a star\u00e1, proto\u017ee s ub\u00edhaj\u00edc\u00edm \u010dasem ztr\u00e1c\u00ed to, co m\u011bla v \u017eivot\u011b. To, co se s \u010dasem nem\u011bn\u00ed, je touha. I kdy\u017e u\u017e nem\u00e1me zuby, chceme st\u00e1le je\u0161t\u011b ochutn\u00e1vat plody posledn\u00ed sezony, dokonce ka\u017ed\u00e9 sezony.<\/p>\n

Ob\u011b \u017eeny, kter\u00e9 namaloval Giorgione, se na n\u00e1s d\u00edvaj\u00ed, \u00fasta t\u00e9 prvn\u00ed jsou mal\u00e1 a zav\u0159en\u00e1, jako by necht\u011bla nechat mluvit sv\u00e9 obna\u017een\u00e9 t\u011blo, sv\u016fdn\u00e9 a mate\u0159sk\u00e9 z\u00e1rove\u0148. \u00dasta star\u00e9 \u017eeny jsou pootev\u0159en\u00e1, bezzub\u00e1, n\u011bm\u00e1, jako \u00fasta toho, kdo u\u017e nemluv\u00ed.<\/p>\n

Kdov\u00ed, t\u0159eba ani ona nechce nic \u0159\u00edct o sv\u00e9m sice star\u00e9m, ale \u017eiv\u00e9m t\u011ble, jako by necht\u011bla \u0159\u00edct, \u017ee i ty bude\u0161 star\u00e1, o\u0161kliv\u00e1, smutn\u00e1. Pod\u00edvej se, dosp\u011bla jsem a\u017e sem, kam tak \u010di onak dosp\u011bje\u0161 i ty, se stejnou touhou otev\u0159\u00edt je\u0161t\u011b \u00fasta a n\u011bco \u0159\u00edct, s touhou b\u00fdt je\u0161t\u011b na sv\u011bt\u011b, vid\u011bt, dot\u00fdkat se, c\u00edtit a n\u011bco si p\u0159\u00e1t.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pod podobiznou je kartu\u0161 s n\u00e1pisem V pr\u016fb\u011bhu \u010dasu. Obraz se nal\u00e9z\u00e1 v Galerii Akademie v Ben\u00e1tk\u00e1ch a jeho autorem je p\u0159edstavitel vrcholn\u00e9 renesance Giorgione. […]<\/a><\/p>\n<\/div>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-29898","post","type-post","status-publish","format-standard","hentry","category-zpravy"],"_links":{"self":[{"href":"https:\/\/www.invarena.cz\/index.php?rest_route=\/wp\/v2\/posts\/29898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.invarena.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.invarena.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.invarena.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.invarena.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29898"}],"version-history":[{"count":0,"href":"https:\/\/www.invarena.cz\/index.php?rest_route=\/wp\/v2\/posts\/29898\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.invarena.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.invarena.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.invarena.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}